by Luciano Martucci*

Within the deep roots of Mexican culture lies a controversial and captivating spiritual figure: Santa Muerte, or Holy Death. This figure has gained significant popularity in the country over the past few decades, particularly within the Mexican prison system. Prisons are harsh and violent places, characterized by the presence of criminal gangs and a culture of organized crime. In this context, belief in Santa Muerte emerges as an important spiritual reference for many inmates who see it as a protector and ally in their daily battles.
Santa Muerte is a Mexican devotional figure that represents the personification of death and has roots dating back to pre-Columbian times. While traditional Catholicism often portrays death as an enemy to be defeated, in the belief in Santa Muerte, it is seen as an inevitable companion and a spiritual guide. The figure of Santa Muerte is depicted as a skeleton dressed in colorful garments and accessories, often adorned with jewelry and cigarettes. Its followers offer prayers and offerings, seeking protection, luck, healing, and assistance in difficult situations. The belief in Santa Muerte is considered a syncretic combination of Mesoamerican beliefs, popular Catholicism, and esoteric spirituality.
Within the Mexican prison system, Santa Muerte has gained a significant following among inmates. The country’s prisons are often ruled by powerful criminal gangs, and violence is a daily occurrence. In this context, belief in Santa Muerte offers a sense of protection, power, and vengeance to inmates who feel powerless and vulnerable in the face of threats within the prison. Many testimonies from inmates indicate that belief in Santa Muerte is seen as a form of “spiritual insurance” against violence and death. Inmates believe that dedicating themselves to Santa Muerte can ensure their protection and assistance in dangerous situations, such as clashes with other gangs or escape attempts. Additionally, Santa Muerte is considered an ally in seeking revenge, encouraging inmates to invoke her intercession to harm their enemies or seek justice.
To better understand the importance of belief in Santa Muerte in Mexican prisons, it is useful to listen to the direct testimonies of the inmates themselves:
Juan, a 30-year-old inmate, states, “Violence is everywhere in prison. Santa Muerte gives me strength and protection. I offer her candles and pray every day for her to keep me safe from my enemies and give me the strength to survive.”
Carlos, a former gang member, recounts, “Santa Muerte has always been with me. In prison, I invoked her help to avenge those who harmed me. I am convinced that she gave me the strength to survive extremely dangerous situations.”
José, an inmate serving a long sentence, says, “Santa Muerte is the last hope for many of us in here. In prison, we have nothing else to rely on. She is the only one we can turn to for protection and comfort.” Belief in Santa Muerte represents a significant aspect of spiritual life in Mexican prisons. For many inmates, the figure of Santa Muerte offers a sense of protection, power, and vengeance within an environment dominated by violence and crime. While belief in Santa Muerte can be seen as a reflection of the difficulties and injustices characterizing the Mexican prison system, it is also an expression of faith and hope for those seeking spiritual support in the harshest and most hostile context. As belief in Santa Muerte continues to evolve and influence Mexican culture, it is crucial to understand its complexity and the reasons that drive many inmates to turn to it. Only through a thorough understanding of the challenges and circumstances faced by Mexican inmates can more humane and effective approaches be developed for recovery and reintegration into society.
*Luciano Martucci, is a freelance anthropologist who focuses on shamanism, traditional medicine. and the religious diversity of Latin America. He has written several articles and published "Il Gauchito Gil, da bandito a santo” and “ Yo soy del San, el culto a San La Muerte.”
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